In Part I of Dressage Mysteries Solved, dressage clinician, author and three-time Olympic coach Jane Savoie outlined the connecting aids required for putting your horse on the bit:
All of this should take place in approximately three seconds. To an observer, it will appear that you’re giving the aids simultaneously, but in reality the leg aid slightly precedes the outside hand, which is applied just before the inside hand. In order to get the desired effect from these connecting aids, it’s important that your horse responds obediently to your leg, seat and hand aids. This is often overlooked, as many of us have a very lazy or hot horse that seems to ignore our aids. Savoie offers her tried-and-true training methods for correcting this problem.
Savoie stresses that your connecting aids won’t work if your horse isn’t in front of your driving aids, which are the first set of aids you need to establish. For example, when you put your legs on, your horse should immediately move forward. “Remember that horses are extremely sensitive to touch, and no matter how lazy a horse is, he can feel a fly land on his side and flick it off,” says Savoie.
“It’s usually the rider who makes the horse dull,” explains Savoie. “The horse isn’t electric enough, so the rider uses more leg. That works for a while, but then the horse gets dull to that, so the rider starts putting on spurs. Then the horse gets used to that so the spurs get bigger.” This cycle is common, and as time goes by, the leg aid gets louder and louder.
“The reason your horse isn’t reacting is because you’ve started screaming with your aids,” continues Savoie. “The first thing you have to do is decide that you’re not going to close your legs any stronger than a fly landing on your horse’s side,” she says. This is the concept of “whisper and shout”: When you whisper an aid, your horse should shout his answer—instead of the other way around.
Instead of constantly repeating your aid or making it stronger, you need to make a correction. “The correction depends on the sensitivity of your horse,” Savoie explains. “You can either bump-bump-bump with your legs, or you can use your long whip and tap-tap-tap behind your leg to chase your horse forward. Either way, you need to get a really forward response to the correction. If you’re walking, you want to bump or tap until your horse is trotting; if you’re trotting, you want to do it until he breaks into the canter.”
The most important part of the correction is to re-test with a light, whispering aid. “For example, in a transition from walk to trot, lightly close your legs, and your horse should surge into the trot,” says Savoie. “If he doesn’t, tap-tap-tap, but then you must go back to the walk and re-test with a very light aid for that transition. Consistently testing your horse for response to light aids will keep him electric to your leg.”
The same theory of testing and re-testing also applies to a hot horse that would rather run through your hand than slow down. “One of the jobs of your outside rein is to control speed,” says Savoie. “If you give a little tweak or squeeze-release on the outside rein to tell your horse to slow down and he just ignores you and keeps running forward, then do a downward transition.
“If you’re in the trot, come to the walk; if you’re in the walk, come to the halt,” continues Savoie. “But then go forward again and re-test the aid with a little squeeze-release on the outside rein; if he still ignores you, do another downward transition, then go forward and re-test the outside rein aid again.
“If you get a response that is better or pretty good, then you have to make the correction again and re-test the aid,” says Savoie. “When you get a 100-percent, whole-hearted response, either from the leg or the outside rein, then praise your horse generously.”
Once your horse is reacting to a feather-light touch and you’ve combined the three sets of connecting aids, you will want to know if your horse is truly on the bit or just “faking” by posing, instead of using his body correctly.
“If he isn’t connected into that outside rein when you put a loop in the inside rein, he will either counter-flex at the poll or counter-bend at the neck,” explains Savoie.
Using these tests regularly during your rides will tell you if your connecting aids are (or aren’t) getting through to your horse.
Of course, no rider is perfect, so it’s good to be aware of the most common errors you might make that can hinder your horse’s connection.
If you’ve tried to correct all of the common rider mistakes and your horse is still not honestly on the bit when you use the two tests, you may need to vary each of the three connecting aids until the connection improves.
Once you’ve gotten the hang of effective connecting aids, how do you keep your horse on the bit throughout your ride? “Apply the connecting aids for three seconds, then soften and wait a few strides before giving them again–then soften,” says Savoie. “It’s almost a constant process of giving these connecting aids, but because they’re so light–just a hair more than maintenance pressure– they’re almost just a thought in your mind once your horse is trained to respond to them: you ever-so-slightly close your legs and then your outside hand just to confirm the connection.
“Any time you a transition–whether from gait to gait, or from left bend to right bend–it’s a given that your horse will lose balance and connection,” continues Savoie. “So if you’re a thinking rider, you will precede any kind of transition with the connecting aids, and then superimpose the connecting aids over the transition.
“For example, if you’re in the walk and you want to trot, you’d start your connecting aids while you’re still walking,” explains Savoie. “Then you would increase your legs a little bit to tell your horse to trot, but while you’re doing that transition, your outer hand stays closed and your inner hand vibrates the inside rein so you’re using the connecting aids before, during and after the transition. The movements come easily if your horse is connected.”
Introducing your horse to riding on the bit requires muscles that he hasn’t fully developed yet, so be sure to take frequent breaks. “Ask your horse to go on the bit for a couple of minutes, then walk on a loose rein to let his muscles relax. Whether your ride ends up being 20 minutes or 45 minutes, there should be many breaks to walk on a loose rein within that time.”
If you have never ridden a horse that is correctly on the bit, it may be hard to grasp the feeling you’re striving to create. Or you may be riding a horse that just isn’t “getting it,” even if you use the correct aids. “By accelerating onto a small circle, you’re increasing those three sets of aids,” says Savoie. “You have more driving aid because you’re accelerating onto the circle; you have more bending aid because it’s a small circle; and you have more outside rein because it determines the size of the circle.
“It might last more than three seconds for you to walk onto a 6-meter circle or trot onto a 10-meter circle, but your cue to soften is when you blend back onto a 20-meter circle,” continues Savoie. “You’re basically simulating and magnifying your connecting aids with this exercise for a horse who isn’t getting it or a rider that needs to know what they’re looking for.”
By systematically working through these exercises and being aware of the most common horse and rider mistakes, you can teach your horse to be responsive and connected throughout your rides.
Read more dressage training advice from Jane Savoie: Dressage Mysteries Solved Part I Get Your Horse on the Bit
Meet the Trainer: Jane Savoie was the reserve rider for the 1992 U.S. Olympic dressage team in Barcelona, Spain, and has coached at three Olympic Games. She now travels throughout the country giving workshops and seminars. Her latest work includes the CD/DVD sets “Freedom from Fear,” “Program Your Position” and “A Happy Horse Home Study Course.” www.janesavoie.com
This article originally appeared in the February 2010 issue of Horse Illustrated magazine. Click here to subscribe!
Holly Caccamise has been with Horse Illustrated and Young Rider magazines since 2007, and in 2019, she became Editor in Chief of both titles. Caccamise has a master's degree in Animal Science with a specialization in equine nutrition and exercise physiology. She has also worked as a racing magazine ad copywriter and top-level show groom.
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