Barrel racing isn’t only about going fast. To round the three barrels in a barrel racing pattern with precision as well as a fast time, classical horsemanship skills apply.
If you’ve ever wanted to enter a barrel race at a fun day or gymkhana, you’ll find that your horsemanship skills will help you round the barrels with balance and communicate to your horse when you want to go fast and when it’s time to slow or rate your speed so that you won’t be out of control as you turn.
Barrel racing coach and competitor Kelly Kennedy-Joseph shares how three classical horsemanship skills apply to her sport. As she likes to say, “smooth is fast.” You’ll need to have your horse listening to your body before you add speed.
“Even if you keep your horse at half speed, but have his attention and connection, you’ll do better than someone who runs but has little control,” Kennedy-Joseph says. “If you go fast without connection and balance, you’ll pull too much and lose your balance. Your hands are a guide tool, but your body position tells the horse where to be.If you have your horse’s attention and connection, even if you’re not running full-out, you’ll have better times than someone who runs but has little control. Photo by Heidi Nyland Melocco
“Knowing that you can get the horse’s hip driven up underneath him is important,” she continues. “When you sit down, you want him to slow down and sit down, too. You want to keep his shoulder up and move his nose tipped in. Barrel racing is about how you place the horse’s body and asking him to respond to your body. You want a connection with the horse, and not to rely only on rein cues.”
Just as a dressage rider can cue a horse to round and work in a frame, Kennedy-Joseph says she wants her horses to frame up. While barrel racing participants may not need the amount of collection required for dressage competition, the same horsemanship principles apply.Kelly Kennedy-Joseph rides in a frame in order to teach her horses balance, not all that different from a dressage rider. Photo by Heidi Nyland Melocco
She explains that barrel horses need to know how to lift their rib cages and use their entire bodies in order to move around the barrels with balance. She works on the classic horsemanship skill of collection and getting her barrel racing horse to round when she’s warming up away from the barrels.
To ask the horse to use his body well, Kennedy-Joseph says she rolls her pelvis under slightly and uses her core. The horse should match what she’s doing in her body. She tells her students to imagine pressing their belly buttons toward their backbones.Neutral pelvis. Photo by Heidi Nyland Melocco
“You can’t expect a horse to turn at full speed,” Kennedy-Joseph says. “You need your horse to rate his speed to get around the barrel safely. Make sure the horse is slowed down so he knows where to put his feet.”
If your horse responded well to collecting when warming up, he’ll respond to your body aids and know to listen when you use the same body cue at the barrel.Neutral pelvis. Photo by Heidi Nyland Melocco
“When I roll my hips under, I want my horse to slow slightly and collect as well,” Kennedy-Joseph says. “I want my horse to know that when I tip my pelvis under, that means he should get his legs up underneath him, too. As you’re leaving the barrel, move your pelvis forward. That’s a signal to your horse to extend his strides and move out.”
When approaching a barrel, it’s time to put all the skills together. You’ll move straight ahead toward the barrel, find the perfect place to slow down for your horse, shift your pelvis under and slow your speed for a turn that’s in control.
It’s OK to roll your shoulders under slightly while barrel racing, even if that doesn’t feel like the horsemanship position you’re used to. You’ll need to lower your center of gravity around the barrel. Keep your hands low and bend your elbow slightly in the direction of your turn. This will push your horse up into the turn and guide him around the turn. Practice this move near a barrel or as you ride around the arena without a barrel in sight.
“It shouldn’t be a pulling war to get around the barrel,” Kennedy-Joseph says. “Instead, you’ll slow, then use your outside leg to support your horse around the barrel. It’s not kicking, it’s guiding. Then once you get around the barrel, wait for him to finish the turn. Let him take you around the barrel. Then, square your shoulders and tip your pelvis forward so that you can move out to the next barrel.”As she’s leaving the barrel, Kelly moves her pelvis forward as a signal to her horse to extend his strides and move out. Photo by Heidi Nyland Melocco
Kennedy-Joseph says horses differ slightly when it comes to when to give this slow-down-and-rounding cue in the line to the barrel. If you’re riding a horse that runs freely, you’ll want to sit down and cue your horse to slow and collect a few strides before the barrel.
If you have a horse that will turn sharply, like a horse that was trained for cow work, you’ll need to roll your pelvis under (sitting on your pockets) and ride to the barrel more closely before you ask him to round and turn.Guide your horse, never kicking and pulling around the barrel. Let him go around it before shifting your position to square up and go to the next barrel. Photo by Heidi Nyland Melocco
If your horse listens to you, you’ll be able to choose when to speed up and when to rate and slow down to get around the barrel.
“It’s not about going fast at all costs,” Kennedy-Joseph says. “It’s about choosing your speed and staying in control.”
Kelly Kennedy-Joseph has been active in barrel racing since she qualified for Little Britches Rodeos. She now coaches riders from her Berthoud, Colo., facility and races at the professional level nationwide.
This article about using horsemanship skills in barrel racing appeared in the September 2022 issue of Horse Illustrated magazine. Click here to subscribe!
Heidi Nyland Melocco holds a Bachelor's degree in English from Ohio Wesleyan University and a Master's degree in journalism from the E.W. Scripps School of Journalism at Ohio University with a concentration in magazine and photo editing. At the latter, she was named Master's Student of the Year. Her stories and photographs are seen regularly in many equine publications, including Horse Illustrated and Young Rider. Melocco is an author of Western Horseman's Understanding Lameness, Western Horseman’s Legends 6 and 9, and Goodnight’s Guide to Great Horsemanship, and she’s a contributing photographer for the Certified Horsemanship Association's Instructor Manual, Hitch Up & Go, The Revolution in Horsemanship by Rick Lamb and Robert Miller, DVM; and Breed for Success by Rene Riley and Honi Roberts. She and her daughter are currently writing a new children's book called Pony Powers—all about what it's like to keep a pony at home. Melocco's photos have won awards from the Equine Photographer's Network and an AIM Award. Melocco holds first-prize awards from American Horse Publications (AHP) for training stories and equine photography. She has had more than 35 magazine cover photos. Melocco continues to write about and photograph horses and also works in video broadcasting. She directed and produced a popular RFD-TV show for more than 10 years. Melocco stays up to speed with social media and has grown accounts to reach and engage with hundreds of thousands of fans. She served on the Board of Directors for the Colorado Horse Council and has presented social media seminars at the PATHi and CHA International Conferences.She started riding Ponies of the Americas at age 5 at Smiley R Ranch in Hilliard, Ohio, with Janet Hedman and the W. E. Richardson family. In college, she was president and later assistant coach of the Ohio Wesleyan University Equestrian Team, coached by world-champion-earning trainer Terry Myers. Keeping active as a rider and riding instructor, Melocco began studying Brain Gym—an international program based on whole-brain and active learning. As a 4-H advisor, she used the simple movements to help horseback riding students relax and achieve their goals in the saddle. Melocco became a registered instructor with Path International, helping to combine horse knowledge and therapeutic experience with horsemanship training. Melocco has presented demos at Equine Affaire and at the Path International and National Youth Horse Council Annual Conferences. She taught at the Colorado Therapeutic Riding Center in Longmont, Colo. Melocco resides on her small-acreage horse property with her husband, Jared; daughter Savannah; AQHA gelding, Golden H Mister T; pony, Romeo; dogs Lucy and Rosie, and three orange barn kitties known as the "Porch Patrol."
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